Continuing with my recap of 2013, I wanted to do a gallery that encompassed some of my favorite feature images I captured over the last year. This includes portraits and pretty much anything that’s not fight-action. I really enjoy trying to make interesting photos outside of the fights themselves, and I relish every opportunity I have to shoot something different than fights, whether it be for fun, for charity, or for another assignment.
One of my favorite feature images from this year is the image at right of Cat Zingano stretching before a workout leading up to her UFC debut.
Here is a slideshow of the full gallery. Please click through to my site to view the full-size gallery.
Kicking off the first of a few “Best Of” galleries for last year with my favorite emotional reactions I captured. It was hard to narrow it down to a healthy edit of 40. I photographed so many great events this past year and saw so much emotion on both the winning and losing end. My favorite overall for the year still remains the Bobby Green celebration shot (seen at right) from his come-from-behind victory over Jacob Volkmann. I was up the fifth-floor press box of Mandalay Bay shooting the fight with my 400mm 2.8. Most of the action was turned away from me, and I was really regretting my decision to go upstairs for this fight. Then, as soon as Green mounted his comeback and finished the fight, he turned as if he meant to line up perfectly for my lens and let out an incredible scream. This ended up being my favorite frame of the night and one of my favorite overall shots of the entire year.
Here is a slideshow for the rest of my favorite reactions from 2013. Please click through to my website and look through the entire gallery at full resolution.
As is often the case with shooting on-location under questionable circumstances, you can only plan so much. Today happened to be one of those cases for me at the UFC 162 Open Workouts. I walked into XS Nightclub at The Encore with the knowledge from my experience of shooting there last July. However, a quick survey of the scene revealed a different setup from last year, resulting in totally different lighting conditions. I always bring along my speedlites whenever shooting a workout because I never know what the light will be like and at least I have the consolation of knowing I can always provide enough light for any situation.
Once I realized how low the ambient light was, I started breaking out my gear and setting up. Shooting in a nightclub can be challenging because those places are designed to cram as many people in as possible and they don’t have a lot of secure locations to mount lights or even put up light stands. I could only find one spot within range of the stage to setup a light stand, so I decided to double up my two FourSquare blocks and concentrate all my light into one source. I put the softbox with six speedlites about eight feet off of the back corner, stage-right from my position. My first plan was to be able to walk around throughout the venue and shoot from multiple locations, giving me a variety of angles for my light source. However, once the workouts started, I quickly realized I would not be able to move at all. In fact, I kind of painted myself into a corner standing on the stage, only having about ten feet of movement left and right. The light source was to my right, about twelve feet above the stage hitting from almost a 45-degree angle. So, it wasn’t bad at all. I had some great ideas for portrait-style shots I wanted to get while in the midst of the workouts. By the end of the shoot, I found myself scrambling just to make any kind of shots.
The real problems began when Anderson Silva prepared to come on stage. He always travels with a large entourage, and today proved to be the biggest yet. He had about thirty people with him, all of whom would be on the small stage while he was working out. So, I was fighting for space the whole time. Being a 13+ year staffer for UFC provides me with a lot of access, but when Anderson Silva is in the building, all that experience and access means absolutely nothing. His trainers and camp will deliberately move in front of you to prevent you from getting shots so their own photographer (with no credential at all) can get the exclusive shots. They will push you around. They will try to have you kicked out completely. I was prepared for all of this as it’s happened several times before, but today was by far the worst situation. Two members of his camp climbed onto the tower where my light stand was mounted and throughout the shoot they used my light stand as an arm rest. So, I tried to keep an eye on that through my periphery at all times. At one point, I was blindly hail-mary shooting over two rows of people who would not let me any closer. Finally, I managed to squeeze myself into a tucked spot on the edge of the mat underneath a documentary camera following his camp. Unfortunately, this meant that I had no chance to get anything of use with 70-200mm lens, which is my lens of choice about 95% of the time. But at that point, I was just in survival mode and wanted to make any photos I could.
When all was said and done, I made it out of the shoot unscathed with a decent take. And all my equipment survived for another shoot. The lesson to be learned here is that you can plan and stress and go crazy trying to make sure everything is perfect, and there will still be a rather large sized monkey wrench thrown in the gears to throw everything out of whack. You just have to go with the flow and try to adapt as best you can. Realize that not every situation will be perfect. But don’t panic and just try to look for other angles and options. And don’t always count on your subject being totally cooperative. It’s nice when they are, but it isn’t always the case.
I apologize for neglecting my blog so badly the past few months. I promise to do a better job and keep everyone better informed of my whereabouts around the globe in 2013 and beyond.
As you may or may not know, I’m smack in the middle of a 15 day road trip. I spent the first 9 days traveling to and working in Sao Paulo, Brazil. This was the first time I had ventured outside of the airport in Sao Paulo, and I was pleasantly surprised. The weather was the first surprise. We were met with rain as soon as we walked out of the terminal to get our car, and for the most part, the rain didn’t let up for the rest of the trip.
The one thing I was told about Sao Paulo before I arrived was that the traffic is even worse than Rio de Janeiro. I don’t know if I just have good luck or people were lying to me, but I found that statement to be completely false. It took only 25 minutes to get to the hotel from the airport, and all our journeys between the hotel and the various shooting locations were much quicker than planned, as well.
The skies parted for a few hours last Wednesday for the UFC open workouts at Parque Anhangabaú near the city’s center. The usual cast of characters, including the main event and co-main event contestants, and a handful of local talent, put on a show for the crowd that gathered. The location was pretty neat, and the weather was much more accommodating than I have been used to during outdoor workouts in the past.
After the usual pre-fight routine of portraits, press conference, and weigh-in, it was finally fight day. I headed over to Ibirapuera Gymnasium way early to get a lay of the land and scout locations for remotes. Unfortunately, I couldn’t find a spot I felt was safe to remove a remote unattended throughout the night, so I canceled that idea.
The first preliminary fight started about 8:45 pm local time. With eleven fights on the card, it was shaping up to be a long night. The arena was more than half full for the first fight and the fans erupted when their countryman, Francisco Trinaldo, finished C.J. Keith with an arm triangle choke. For the most part, the crowd was pretty calm after that, until Sao Paulo and TUF Brasil 1 finalist Daniel Sarafian entered for his bout against C.B. Dolloway. Unfortunately for the crowd, Sarafian came out on the losing end of the decision and the fans showed their displeasure by booing Dolloway so loudly that I couldn’t hear a word he said in his post-fight interview.
Finally, at nearly 1:30 am, it was time for the main event. Michael Bisping walked out first to a strong chorus of boos. His opponent, Vitor Belfort was met with a nice reaction from the crowd, though nothing like Sarafian experienced. Vitor looked fired up and ready to destroy.
And destroy he did. Belfort controlled the action in round one, landing a number of significant kicks and punches. Then, in round two, he unleashed a left high kick to the side of Bisping’s head, putting him down on the canvas. Belfort followed up with a series of hammer-fists forcing referee Dan Miragliotta to stop the fight. The crowd went nuts, as did Vitor.
After completing my edit and packing everything up, I was en route back to the hotel by 3:30 am. I had some more work to do once I got back, so I didn’t finally make it to bed until sometime after 6:00. My alarm rang bright and early at 9:00 am for my next assignment. I headed back to the arena to cover the elimination fights for TUF Brasil 2. And that’s about all I can say about that for now.
The next two days were also spent covering various aspects of the upcoming reality show, until I was finally in a car headed back to the airport about 5:30 pm Tuesday evening. I flew straight to Chicago for this week’s UFC on FOX card; landing at about 6:00 am local time Wednesday morning after an 11-hour flight. I had just enough time to get to the hotel and take a shower before I was back in a car headed to the UFC Gym for the open workouts.
This particular UFC Gym location had just been transformed from it’s previous moniker, LA Boxing. I mean that literally as apparently they were still under construction the day before. Everything had that “brand new, wrapped in plastic” smell. I did a quick once-over and decided on locations to place a few speedlites. The overhead florescent lights did not provide the look I was going for, so of course I came prepared with four of my Canon 600EX-RT units. And, for the next four hours, I clicked away as various fighters cycled through the gym to workout for media. The whole day was really a blur, but I actually came away with several shots I was happy with.
After the workouts, I headed back to the hotel to work on my edit and finally had a chance to relax and take a look out the window. It had just started snowing. It was then that I realized less than 36 hours before, I was wearing shorts and flip-flops. Now I was freezing in my hotel room and couldn’t get the heater hot enough.
The usual press conference followed on Thursday, and today saw us head back to the Chicago Theatre once again for another weigh-in. I love it when we do weigh-ins inside these old historic theatres. They create such a cool atmosphere and make for really nice wide photos.
All fighters made weight and nothing much of interest happened, other than a moment of uncertainty before Quinton “Rampage” Jackson stepped on the scale for his final UFC weigh-in. He appeared to apologize to the commission official and UFC coordinator Burt Watson, and you could see Watson was visibly upset as he stepped back while Rampage hopped on the scale. But then the weight was announced as 204 pounds. I’m not sure what exactly was said, but I was expecting him to be well overweight after seeing that unfold. After making weight, Rampage proceeded to get in the face of his opponent, Glover Teixeira, and give him a tongue-lashing as they faced off.
Tomorrow is yet another early call to head over for a long day at the arena. I’ll do my best to get some shots up before I head back home Sunday morning. But, until then, I leave you with a few slideshows from the last couple weeks.
I’ve finally had a chance to sort back through all the photos I shot last week in Southern California during the Sports Shooter Academy IX workshop. Over the course of the four days, I had the opportunity to shoot a number of different events which I had never photographed before. I took it as a challenge, and I learned a lot from the experience. I can’t wait to shoot some of these sports again. There were a number of memorable moments that happened over the course of the week, and I can’t really narrow it down to one favorite event that I enjoyed most. I guess my heart has always been in baseball, but I also very much enjoyed lacrosse and soccer. The track meet was fun too. I hope I’ll be able to cover all these sports again soon.
I’d like to take the time again to thank all the people who made this workshop a success – Robert Hanashiro, Matt Brown, Dave Black, Shawn Cullen, Rod Mar, Myung Chun, John McDonough, Michael Goulding, Wally Skalij, Sean Haffey, Michael Corrado, Christy Radecic, Rafael Delgado, Ron Tonawaki, Sara Moosbrugger, Ian Ray, and Deanna Hanashiro. It was a pleasure to work with you all, and I hope to do so again soon.
Below is a gallery of shots I collected throughout the week. I’ll probably add more to this as I have time. Please let me know what you think.